Showing posts with label Trombone Shorty. Show all posts
Showing posts with label Trombone Shorty. Show all posts

Friday, May 1, 2015

Musician starts foundation to save lives

By Alex Rawls
New Orleans Advocate

For more than a decade, the Neville Brothers and the Radiators closed the main stages on the final Sunday of the New Orleans Jazz and Heritage Festival presented by Shell.

But the Radiators closed the Gentilly Stage for the last time in 2011, and the Nevilles were the last act for the last time on the Acura Stage in 2012.
Since then, the Gentilly Stage has seen a variety of closers, while Trombone Shorty and Orleans Avenue has settled into the symbolic space the Neville Brothers once occupied.
Shorty started a busy festival week Saturday when he headlined the Saenger Theatre for the first time for a show he titled “The Tremé Threauxdown.” He and Orleans Avenue started the show, but it became a jam with Allen Toussaint, Kermit Ruffins, New Breed Brass Band, and Mystikal — all people who were influential on his music, Troy Andrews said last week during a rehearsal for the show.
On Thursday night, he’ll host Shorty Fest at Generations Hall, a fundraiser for The Trombone Shorty Foundation, before playing at the Fair Grounds Sunday.
Andrews had a good year in 2014. His stock rose nationally; he recorded with Foo Fighters and played before them when the rock band performed at Voodoo in City Park last fall.
When Prince played the Essence Music Festival last July, he brought Shorty onstage, then kept him there for the next half-hour to jam. Shorty’s blend of funk, R&B, rock and hip-hop can speak to those very different audiences, but it is also true to the New Orleans tradition.
He credits the broad reach of his music and his ability to fine-tune it for the audience in front of him to his musical upbringing in New Orleans.
“Playing with the Neville Brothers, with Kermit, with Danny Barker, you learn those skills,” Andrews said.
He wants the Trombone Shorty Foundation to be part of that education for the next generation. The organization aspires to “preserve and perpetuate the unique musical culture of New Orleans by passing down its traditions to future generations of musicians,” according to its mission statement.
For Shorty, it’s an extension of the kind of organic education he received from Tuba Fats, his brother James Andrews, and the countless musicians he encountered while growing up in Tremé.
The idea came to him three or four years ago while on tour in Miami.
“I was watching the news and it was talking about murders in New Orleans, and that made an impact to see how we were perceived outside New Orleans,” Andrews said. “I wanted to see if I could save some kids’ lives through music.”
His first response was to buy some instruments and approach Mayor Mitch Landrieu — Andrews calls him “Mitch” — about how to get the instruments to students who needed them. But that was a stop-gap effort. He wanted to do something more lasting, so the foundation was born.
Bill Taylor is executive director. His personal shorthand version of its mission is simple: “To create more Trombone Shortys,” he said.
“It’s to help provide a platform through which kids who have grown up in similar situations to Troy can follow their dreams, musical and otherwise.”
There are a number of organizations that focus on music education with an eye toward helping children beyond their musical dreams, and Taylor wants the foundation to be the bridge between high school band programs and NOCCA, which can only take a finite number of students.
“We want to give these children, who you’d call underserved, the opportunity to take it to the next level,” Taylor said. “That’s a combination of skills in performing as well as business acumen.”
Shorty Fest at Generations Hall is a fundraiser for the foundation. Students in the program will perform in a show that will also include a tribute to Big Chief Monk Boudreaux of the Golden Eagles, with an all-star band that features Bill Kreutzmann of The Grateful Dead, June Yamagishi, Kirk Joseph, Nick Daniels, Raymond Weber, Davell Crawford, and Luther Dickinson of North Mississippi Allstars. Corey Henry and The Treme Funktet, New Breed Brass Band, Tank and The Bangas, TYSSON, Sweet Crude, and MainLine will also perform, and Ivan Neville will sit in with Shorty and Orleans Avenue.
“He’s a part of the band when we can have him,” Andrews said. “We learn so much from him. Whenever he’s free, we’ll take him.”
Earlier this month, Andrews also became the subject of a children’s book. He and Taylor co-wrote “Trombone Shorty,” which was illustrated by Caldecott Award-winning artist Bryan Collier.
Neither Andrews nor Taylor were thinking about a book, but when Taylor asked Shorty for stories to help align the foundation’s activities with his real-life journey, he realized they had possibilities.
“It’s an unbelievable story, and some of the things that happened to him early on are remarkable,” Taylor said. While listening, it occurred to him that it was an inspiring tale that would make a good kids’ book.
The book is on sale now, and Andrews will sign copies at Shorty Fest, with part of the proceeds from sales going to the foundation.
“I was reading it and felt like a kid again,” he said. “I looked at the illustrations without reading the words and it made my imagination create my own story, even though it’s my story. I was thinking about some things that really weren’t me.”

Tuesday, January 1, 2013

Trombone Shorty creates music academy

Shorty visited alma mater to discuss music program


'Trombone Shorty' visits Warren Easton Charter School to talk about his music academy'Trombone Shorty' visits Warren Easton Charter School to talk about his music academyTroy "Trombone Shorty" Andrews, New Orleans jazz musician and recording artist, will launch his own Trombone Shorty Academy, a music education program, on Tulane University's campus in 2013. He returned to his former high school, Warren Easton Charter School, to encourage students to audition for the program on Jan. 14.
Sitting at the head of a long table in the library of Warren Easton Charter High School, Troy “Trombone Shorty” Andrews – except for being out of school uniform – could easily have been mistaken for a student.
Instead, he was there as a teacher.
Andrews, 26, visited his alma mater at lunchtime on Wednesday (Dec. 19) to introduce band students to his latest venture: the Trombone Shorty Music Academy, the inaugural program of his recently launched 501c3 nonprofit foundation. About two dozen interested students, along with music teacher Asia Muhaimin, postponed their noon meal to chat with Andrews – who, in a comparatively short time, has become one of the school’s most prominent alumni.
The student musicians gathered in the library listened as Andrews shared the philosophy of playing, and working, that’s turned him into one of New Orleans’ fastest-rising young stars – garnering two Billboard top-10 jazz albums, a Grammy nomination, a Downbeat magazine cover and more, all in the past two years.
“Practicing and getting better is an infinity process,” he said. “It’s all about discipline, and going after what you want.”
“You have to be curious – listen to different people, get obsessed with different music.”
Former Tipitina’s Foundation executive director Bill Taylor now heads up the Trombone Shorty Foundation. The groundwork for the new organization was laid, Taylor explained, in 2011, when Andrews worked in partnership with the Mayor Mitch Landrieu's administration to donate instruments to several New Orleans-area schools. It was incorporated as a 501c3 nonprofit and its board of directors put together in early 2012. The Trombone Shorty Music Academy, aimed at high school musicians, is its first official program.
At Warren Easton on Wednesday, Taylor held up a visual aid – a photo of the first class of Tipitina's music interns, with Andrews in the top right corner.
Besides Andrews, the group of young faces included Khris Royal; drummer Joey Peebles and bassist Mike Ballard from Andrews’ Orleans Avenue band, members of the Stooges and the Soul Rebels brass bands and a young Southern University band teacher.
“Almost all the folks in this picture are making a living playing music right now,” Taylor said.
Passion has to come together with professionalism and commitment, Andrews opined, mentioning players he knew who were talented, “but they play in front of the Foot Locker.”
The free after-school program, which will be housed on Tulane’s campus, hopes to instill those values, as well as teaching practical skills like recording and production, business acumen, and of course, musicianship. Andrews will teach when not touring, he said; a visiting cast of Tulane music instructors, music students and local performers will also lend their skills during the weekly sessions, exploring gospel, funk, rock and R&B. And, Andrews pointed out, it won’t be strictly traditionalist.
“You’ve got to keep learning,” he said. “I look at James Brown, Lenny Kravitz, Lil Wayne, Jay-Z.” Students will be welcome to bring their own favorite music to the table, he said.
“By the end of a semester,” Bill Taylor promised, “you’ll have gone through a hundred years of musical history.”
The foundation hopes to book performances for academy students at events like Jazz Fest, and the French Quarter Festival.
“And I’m in the middle of recording an album,” Andrews said. “I might need to use you.”
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